{"id":23685,"date":"2016-05-08T11:08:52","date_gmt":"2016-05-08T17:08:52","guid":{"rendered":"http:\/\/www.sofiaecheverri.com\/?page_id=23685&lang=en"},"modified":"2023-10-18T23:32:29","modified_gmt":"2023-10-19T05:32:29","slug":"bio","status":"publish","type":"page","link":"https:\/\/www.sofiaecheverri.com\/en\/bio\/","title":{"rendered":"Bio\/Resume"},"content":{"rendered":"

[vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” text_align=”left” css_animation=””][vc_column width=”1\/6″][\/vc_column][vc_column width=”2\/3″][vc_column_text]<\/p>\r\n

statement<\/h3>\r\n

[\/vc_column_text][vc_empty_space height=”30″][vc_row_inner row_type=”row” type=”full_width” use_row_as_full_screen_section_slide=”no” text_align=”left” css_animation=””][vc_column_inner][vc_column_text]<\/p>\r\n

Resignifying the role of women and endangered landscapes are what motivate me. I recoup aesthetic and symbolic components of different cultures in response to cultural hegemony and use universal symbolic heritage to place women in a position of strength and equality, while attempting to do away with the assumption that there is no alternative to the present status quo and materialize the desire to quash discriminatory stereotypes.<\/p>\r\n

As an artist, my narrative creates a dialectic between the figurative\u2014represented in black and white\u2014and the abstract\u2014represented in color\u2014by juxtaposing both forms of expression. This dialectic, which alternatively conceals and reveals fragments of the composition, is a construction\/destruction of sorts designed to confer dynamism on the subject.<\/p>\r\n

The resulting enigmatic images evoke nostalgia for that which never existed and aim to seduce the spectator by revealing a hidden\/unknown possibility.<\/p>\r\n

[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_empty_space height=”30px”]<\/p>\r\n

[vc_separator type=”normal” border_style=”solid” thickness=”1px” up=”0″ down=”0″][\/vc_column][vc_column width=”1\/6″][\/vc_column][\/vc_row][vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” text_align=”left” css_animation=””][vc_column width=”1\/6″][\/vc_column][vc_column width=”4\/6″][vc_empty_space height=”30px”][vc_column_text]<\/span><\/p>\r\n

Sof\u00eda Echeverri was born in Guadalajara, Jalisco, Mexico.\u00a0 <\/span>She lives and works in Mexico City.<\/p>\r\n

correo@sofiaecheverri.com<\/p>\r\n

\u00a0www.sofiaecheverri.com<\/a><\/p>\r\n

[\/vc_column_text][vc_row_inner row_type=”row” type=”full_width” use_row_as_full_screen_section_slide=”no” text_align=”left” css_animation=””][vc_column_inner][vc_empty_space height=”30px”][vc_column_text]<\/p>\r\n

Studies<\/h3>\r\n

[\/vc_column_text][vc_empty_space height=”15px”][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_type=”row” type=”full_width” use_row_as_full_screen_section_slide=”no” text_align=”left” css_animation=””]<\/p>\r\n

[vc_column_inner width=”1\/6″][vc_column_text]2016[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”5\/6″][vc_column_text]Taller de cer\u00e1mica libre, <\/span><\/b>Ana G\u00f3mez en arta cer\u00e1mica, CDMX.<\/span>[\/vc_column_text][\/vc_column_inner]<\/p>\r\n

[vc_column_inner width=”1\/6″][vc_column_text]2011[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”5\/6″][vc_column_text]Taller de Litograf\u00eda Leonard Codex<\/strong>, Brooklyn, Nueva York[\/vc_column_text][\/vc_column_inner]<\/p>\r\n

[vc_column_inner width=”1\/6″][vc_column_text]2000-2001[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”5\/6″][vc_column_text]Atellier d\u00b4art Chevreuse<\/strong>, Dibujo libre con\u00a0 figura humana,\u00a0Par\u00eds, Francia.[\/vc_column_text][vc_column_text]Mus\u00e9e du Louvre<\/strong>, T\u00e9cnicas antiguas y modernas del dibujo e investigaci\u00f3n y apreciaci\u00f3n de los grandes maestros del dibujo,\u00a0Par\u00eds, Francia.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_type=”row” type=”full_width” use_row_as_full_screen_section_slide=”no” text_align=”left” css_animation=””][vc_column_inner width=”1\/6″][vc_column_text]1993-1995[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”5\/6″][vc_column_text]Taller-galer\u00eda Vincent<\/strong>,\u00a0Maestros: Jos\u00e9 Fors y\u00a0Davis Birks,\u00a0Realizando tambi\u00e9n obra gr\u00e1fica en el taller de \u201cLa Ruleta\u201d,\u00a0Guadalajara, Jalisco, M\u00e9xico.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_type=”row” type=”full_width” use_row_as_full_screen_section_slide=”no” text_align=”left” css_animation=””][vc_column_inner width=”1\/6″][vc_column_text]1989-1993[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”5\/6″][vc_column_text]Escuela de Artes Pl\u00e1sticas de la Universidad de Guadalajara<\/strong>, Guadalajara, Jalisco, M\u00e9xico[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_empty_space height=”50px”][vc_column_text]<\/p>\r\n

individual exhibitions<\/span><\/h3>\r\n

[\/vc_column_text][vc_empty_space height=”15px”][vc_row_inner row_type=”row” type=”full_width” use_row_as_full_screen_section_slide=”no” text_align=”left” css_animation=””]<\/p>\r\n

[vc_column_inner width=”1\/12″][vc_column_text]2022[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”11\/12″][vc_column_text]
REENCHANTING THE WORLD,<\/strong><\/span><\/i> Estudio Marte, curated by Sylvia Navarrete, April 2023.<\/span><\/p>\r\n

[\/vc_column_text][\/vc_column_inner]<\/p>\r\n

[vc_column_inner width=”1\/12″][vc_column_text]2021[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”11\/12″][vc_column_text]<\/p>\r\n

SECRET ARCHAEOLOGY<\/i>,<\/i><\/strong> MAX, Xalapa Museum of Anthropology, Xalapa, Veracruz, October-December.<\/span><\/p>\r\n

UNIVERSE REVEALED,<\/strong><\/span><\/i> exhibition and artist-in-residence program in collaboration with the University of Guadalajara, <\/span> Foundation USA and the Grodman Legacy.<\/span> MUSA, Guadalajara, Jalisco, June-August.<\/span><\/p>\r\n

Sister-serpents of Wisdom,<\/strong><\/span><\/i> exhibition and presentation of mural in collaboration with Vero Anaya:<\/span> Siter-serpents<\/span><\/i>, Fr\u00ebims, Mexico City, April 2022.<\/span><\/p>\r\n

[\/vc_column_text][\/vc_column_inner]<\/p>\r\n

[vc_column_inner width=”1\/12″][vc_column_text]2020[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”11\/12″][vc_column_text]
Mecanismo del cosmos,<\/strong><\/em> Museo de la Ciudad, CDMX, sept. 2020- marzo 2021<\/p>\r\n

[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/12″][vc_column_text]2019[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”11\/12″][vc_column_text]
ACTUALIZACIONES,<\/strong><\/em> Biblioteca Henestrosa, Oaxaca, Oax. Nov.<\/p>\r\n

[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/12″][vc_column_text]2018[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”11\/12″][vc_column_text]
Pedir la lluvia, <\/strong><\/em>Yam Gallery, San Miguel de Allende, Gto. Agosto, sept y oct.
Pedir la lluvia, <\/strong><\/em>Museo de Arte Carrillo Gil, Gabinete, mayo-julio.
Arqueolog\u00eda secreta,<\/strong><\/em> Mujeres trabajando,1MES1ARTISTA, El 123, CDMX, marzo.
[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/12″][vc_column_text]2017[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”11\/12″][vc_column_text]
Letan\u00eda, <\/strong><\/em>ARTERE-A, Guadalajara, Jalisco, Oct.
Mujeres trabajando-Colecci\u00f3n Met, <\/strong><\/em>Casa de la Cultura San Rafael, CDMX, agosto.
[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/12″][vc_column_text]2015[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”11\/12″][vc_column_text]Sof\u00eda Echeverri,<\/strong><\/em> Patricia Mendoza Galer\u00eda, San Jos\u00e9 del Cabo, Baja California, M\u00e9xico, diciembre – enero.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_type=”row” type=”full_width” use_row_as_full_screen_section_slide=”no” text_align=”left” css_animation=””][vc_column_inner width=”1\/12″][vc_column_text]2014[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”11\/12″][vc_column_text]Pistas para errar,<\/strong><\/em> Yam Gallery, San Miguel de Allende, Guanajuato, M\u00e9xico, septiembre.[\/vc_column_text][vc_column_text]Dolorosa belleza,<\/strong><\/em> Ex Convento del Carmen, curada por M\u00f3nica Ashida, Guadalajara, Jalisco, M\u00e9xico, abril – junio.[\/vc_column_text][vc_column_inner width=”11\/12″][vc_column_text]APROPIACIONES,<\/strong><\/em> IMPRONTA CASA EDITORIAL, curada por Lourdes Armend\u00e1riz, nov.<\/p>\r\n

[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_type=”row” type=”full_width” use_row_as_full_screen_section_slide=”no” text_align=”left” css_animation=””][vc_column_inner width=”1\/12″][vc_column_text]2013[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”11\/12″][vc_column_text]trampland,<\/strong><\/em> Galer\u00eda Distrito 14, Monterrey, Nuevo Le\u00f3n, M\u00e9xico, dic.-feb.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_type=”row” type=”full_width” use_row_as_full_screen_section_slide=”no” text_align=”left” css_animation=””][vc_column_inner width=”1\/12″][vc_column_text]2012[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”11\/12″][vc_column_text]inner voice,<\/strong><\/em> Leonard Codex Art Assamblege, Brooklyn, Nueva York, Septiembre.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_type=”row” type=”full_width” use_row_as_full_screen_section_slide=”no” text_align=”left” css_animation=””][vc_column_inner width=”1\/12″][vc_column_text]2011[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”11\/12″][vc_column_text]C\u00e9lulas,<\/strong><\/em> Haus der kunst, San Pancho, Nayarit, M\u00e9xico, septiembre.[\/vc_column_text][vc_column_text]Paperwork,<\/em><\/strong> Traeger & Pinto Arte Contempor\u00e1neo,\u00a0Ciudad de M\u00e9xico, M\u00e9xico[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_type=”row” type=”full_width” use_row_as_full_screen_section_slide=”no” text_align=”left” css_animation=””][vc_column_inner width=”1\/12″][vc_column_text]2010[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”11\/12″][vc_column_text]sospechosavisi\u00f3n<\/strong>\/falsaceguera,<\/strong><\/em> Museo de Arte Ra\u00fal Anguiano, Guadalajara, Jalisco, M\u00e9xico, noviembre. [\/vc_column_text][vc_column_text]Paperwork,<\/strong><\/em>\u00a0Traeger & Pinto Arte Contempor\u00e1neo,\u00a0Ciudad de M\u00e9xico, M\u00e9xico[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_type=”row” type=”full_width” use_row_as_full_screen_section_slide=”no” text_align=”left” css_animation=””][vc_column_inner width=”1\/12″][vc_column_text]2005[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”11\/12″][vc_column_text]Extinci\u00f3n,<\/em><\/strong> Caf\u00e9 la Gloria, Ciudad de M\u00e9xico, M\u00e9xico.[\/vc_column_text][vc_column_text]Ser en el tiempo,<\/em><\/strong> Casa Mayor, Ciudad de M\u00e9xico, M\u00e9xico.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_type=”row” type=”full_width” use_row_as_full_screen_section_slide=”no” text_align=”left” css_animation=””]<\/p>\r\n

[vc_row_inner row_type=”row” type=”full_width” use_row_as_full_screen_section_slide=”no” text_align=”left” css_animation=””][vc_column_inner width=”1\/12″][vc_column_text]2003[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”11\/12″][vc_column_text]Mujeres y ni\u00f1os,<\/strong><\/em>\u00a0\u201cGaler\u00eda Azul\u201d de Felipe Covarrubias,\u00a0Guadalajara, Jalisco, M\u00e9xico[\/vc_column_text][vc_column_text]Colecci\u00f3n-Recolecci\u00f3n,<\/em><\/strong> Lontano Galer\u00eda,\u00a0Guadalajara, Jalisco, M\u00e9xico[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_empty_space height=”50px”][vc_column_text]<\/span><\/p>\r\n

collective<\/span> exhibitions<\/h3>\r\n

[\/vc_column_text][vc_empty_space height=”15px”][vc_row_inner row_type=”row” type=”full_width” use_row_as_full_screen_section_slide=”no” text_align=”left” css_animation=””]<\/p>\r\n

[vc_column_inner width=”1\/12″][vc_column_text]2023[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”11\/12″][vc_column_text]<\/p>\r\n

PRODIGA LAND, 200 Years of painting in Jalisco,<\/strong><\/em> Ex Convento del Carmen, curated by Dr. Arturo Camacho, Oct-Dec.<\/p>\r\n

GLOBULE<\/i><\/strong>,<\/strong><\/em> curated by Guillermo Santamarina, Los Pinos Cultural Complex, July-October.<\/span><\/p>\r\n

FANTASTIC FABLES<\/strong><\/em>,<\/strong><\/em> MAM COLLECTION, Modern Art Museum, Mexico City, June-September.<\/span><\/p>\r\n

COYOLXAUHQUI IMAGINED,<\/i><\/strong> Banco de M\u00e9xico Museum, Mexico City, June-August.\u00a0<\/span><\/p>\r\n

NATURE, ART AND LIFE,<\/strong><\/em> Finance Ministry Museum of Art, Mexico City, June-October.<\/span><\/p>\r\n

TRANSVOLCANIC BELT,<\/em><\/strong> curated by Paulina Asencio and Daniel Garza Usabiaga, MAM, Modern Art Museum, Mexico City, June-October.<\/span><\/p>\r\n

TOGETHER,<\/strong><\/em> curated by Alejandro Fournier, Sector Refora, Guadalajara, Jalisco, May 2023.<\/span><\/p>\r\n

OPEN COLLECTION,<\/strong><\/span><\/em> RECENT INCORPORATIONS <\/span><\/i>\u00a02019-2022, MAM, Modern Art Museum, Mexico City, April-June 2023.<\/span><\/p>\r\n

[\/vc_column_text][\/vc_column_inner]<\/p>\r\n

[vc_column_inner width=”1\/12″][vc_column_text]2022[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”11\/12″][vc_column_text]<\/p>\r\n

WILD THOUGHT<\/strong><\/em>,<\/strong><\/em> curated by Juan Jo Soto, Quer\u00e9taro City Museum, December 2022.<\/span><\/p>\r\n

THE METHOD OF THE MOMENT,<\/strong><\/em> 48 H. Neuk\u00f6lln, curated by Manuela Covini, Berlin, Germany, June.<\/span><\/p>\r\n

SHE-DEVIL,<\/strong><\/em> contemporary reflections on cannabis, curated by Sector Reforma, Guadalajara, Jalisco, May.<\/span><\/p>\r\n

ATL 217,<\/strong><\/em> collective exhibition parallel to the MATERIAL fair, ACAPULCO 62 Gallery, May 2022.<\/span><\/p>\r\n

POSSIBLE WORLDS, <\/strong><\/em>curated by Viviana Mart\u00ednez, Ajolote Gallery, Guadalajara, Jalisco, March 2022.<\/span><\/p>\r\n

WE ARE TIME, WOMEN NAVIGATING,<\/strong><\/em> Nina Menocal, curated by Nancy Mookiena, February-April 2022.<\/span><\/p>\r\n

[\/vc_column_text][\/vc_column_inner]<\/p>\r\n

[vc_column_inner width=”1\/12″][vc_column_text]2021[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”11\/12″][vc_column_text]<\/p>\r\n

GRAND CONTEMPORARY SALON,<\/strong> THE GRAPHIC TRAP<\/span><\/i>, December-February 2022.<\/span><\/p>\r\n

SIGNS OF A FEMINIST REVOLT,<\/strong><\/span><\/i> MAM, Modern Art Museum, curated by Fernanda Ramos, December-March 2022.<\/span><\/p>\r\n

WILD THOUGHT,<\/strong> curated by <\/span><\/i>Juanjo Soto, Canc\u00fan Anthropology Museum, October 2021-March 2022.<\/span><\/p>\r\n

NEW VERDURE,<\/strong><\/span><\/i> curated by Nancy Mookiena, Nina Menocal Gallery, November 2021.<\/span><\/p>\r\n

5TH <\/strong>J.A. MONROY PAINTING BIENNIAL,<\/strong><\/span><\/i> Atheneum Contemporary Art Museum of the Yucat\u00e1n, MACAY, M\u00e9rida, April.<\/span><\/p>\r\n

POTENT, Mexican painting,<\/strong><\/span><\/i> Yam Gallery, MACO Art Week, Mexico City, April.<\/span><\/p>\r\n

WOMEN THAT WE ARE,<\/strong><\/span><\/i> Nina Menocal Gallery, curated by Nancy Mookiena, Mexico City, April.<\/span><\/p>\r\n

THE DAILY RITE,<\/strong><\/span><\/i> virtual exhibition curated by Guillermo Santamarina, Contemporary Art Museum of Morelos, Morelos.<\/span><\/p>\r\n

[\/vc_column_text][\/vc_column_inner]<\/p>\r\n

[vc_column_inner width=”1\/12″][vc_column_text]2020[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”11\/12″][vc_column_text]<\/p>\r\n

Stickers<\/strong><\/span><\/i>\/<\/i>Part Two<\/strong><\/span><\/i>,<\/em>an archive of Mexican artists for your social media!<\/span><\/i> curated by<\/span> Violeta Horcasitas.<\/span><\/strong><\/p>\r\n

CREADORAS,<\/strong><\/em> Mujeres artistas en el patrimonio de Nuevo Le\u00f3n, Curadur\u00eda Luc\u00eda Lara Centro de las Artes Monterrey, marzo.<\/p>\r\n

Las cosas secretas, <\/strong><\/em>Curadur\u00eda Erik Castillo, Archivo Colectivo Galer\u00eda, CDMX, febrero-abril.<\/p>\r\n

[\/vc_column_text][\/vc_column_inner]<\/p>\r\n

[vc_column_inner width=”1\/12″][vc_column_text]2019[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”11\/12″][vc_column_text]<\/p>\r\n

La Causa de las Causas, <\/strong><\/em>Curadur\u00eda Sergio Rica\u00f1o, Anah\u00ed Hern\u00e1ndez y Rodrigo Flores Herrasti, Museo MAM, CDMX, noviembre.<\/p>\r\n

NATURALIA, <\/strong><\/em>Yam Gallery, San Miguel de Allende, noviembre.
<\/strong><\/p>\r\n

EL ANIMAL HERIDO, <\/strong><\/em>Museo experimental El Eco, Curadur\u00eda David Miranda, noviembre.
<\/strong><\/p>\r\n

CONSTELACIONES, <\/strong><\/em>Archivo Colectivo, Curadur\u00eda Erik Castillo, mayo.<\/p>\r\n

AUSENCIAS \/ PRESENCIAS,<\/strong><\/em> Museo Caba\u00f1as, marzo-abril.<\/p>\r\n

T\u00da DE MI \/ YO DE TI, <\/strong><\/em>Museo de la Ciudad, CDMX, marzo-abril.<\/p>\r\n

MODERN LOVE VOL. 3<\/strong>, <\/strong><\/em>Noox Tonal\u00e1 149, Curadur\u00eda Daril Fortis, febrero.<\/p>\r\n

BODEGA ACME N\u00fam. 7, <\/strong><\/em>General Prim, febrero.<\/p>\r\n

LO INVISIBLE NO ES OSCURO NI MISTERIOSO, ES TRANSPARENTE,<\/strong><\/em> Cobra Galer\u00eda, V\u00eda Libertad, Guad., Jal.<\/p>\r\n

[\/vc_column_text][\/vc_column_inner]<\/p>\r\n

[vc_column_inner width=”1\/12″][vc_column_text]2018[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”11\/12″][vc_column_text]<\/p>\r\n

PERCEPTIBLE, <\/strong><\/em>Colecci\u00f3n de la Secretaria de Hacienda y Cr\u00e9dito P\u00fablico 2013-2016, Museo SHCP, noviembre.<\/p>\r\n

FICCION Y TIEMPO, <\/strong><\/em>Centro Cultural Universitario Tlatelolco, CDMX, noviembre.<\/p>\r\n

C\u00d3MO DILU\u00cdR EL TERRITORIO,<\/em><\/strong> La NoBienal II, Pa\u00eds invitado M\u00e9xico, Curadur\u00eda Viviana Mart\u00ednez, San Jos\u00e9, Costa Rica, octubre.<\/p>\r\n

PIEL, <\/strong><\/em>Museo de la Canciller\u00eda, Curadur\u00eda por J. Springer y Santiago Espinosa de los Monteros, agosto.<\/p>\r\n

El cord\u00f3n umbilical retiniano, <\/strong><\/em>ESPAC, curada por Willy Kautz, junio.<\/p>\r\n

Paisaje despu\u00e9s de la niebla, <\/strong><\/em>Galer\u00eda Agustina Ferreyra, curada por Tamara Ibarra, mayo.<\/p>\r\n

1968-2018, <\/strong><\/em>Centro Cultural Universitario Tlatelolco, marzo.<\/p>\r\n

Un nuevo nuevo-viejo mundo, Para\u00edsos perdidos. <\/strong><\/em>Centro Cultural Gabriel Garc\u00eda M\u00e1rquez, Bogot\u00e1, Colombia. febrero.<\/p>\r\n

[\/vc_column_text][\/vc_column_inner]<\/p>\r\n

[vc_column_inner width=”1\/12″][vc_column_text]2017[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”11\/12″][vc_column_text]
GUADALAJARA 478, <\/strong><\/em>Traeger & Pinto Arte Contempor\u00e1neo, CDMX, nov.
PROCESOS EN EL ARTE, 60 ARTISTAS CONTEMPORENEOS COLECCI\u00d3N <\/strong><\/em><\/p>\r\n

GRAFICA HOY,<\/strong><\/em> Traeger & Pinto, Arte Contempor\u00e1neo, julio.<\/p>\r\n

ALEACI\u00d3N: ENTRE LO ASCENDENTE Y LO DESCONOCIDO, EXPOSICI\u00d3N COLECTIVA DE GRAN FORMATO, <\/strong><\/em>K2 Arte Contempor\u00e1neo, Sn.Pedro, N.L.<\/p>\r\n

CO-HABITA, <\/strong><\/em>Distrito 14 Arte Contempor\u00e1neo, San Pedro Garza Garc\u00eda, Nuevo Le\u00f3n, julio.<\/p>\r\n

SHAPED IN MEXICO, <\/strong><\/em>ABOUT, Venecia, Italia, mayo.<\/p>\r\n

SHAPED IN MEXICO, <\/strong><\/em>Gallery Ariane Paffrath, Dusseldorf, Alemania, mayo.<\/p>\r\n

Bodega ACME<\/strong>, <\/strong><\/em>General Prim, Col. Ju\u00e1rez, CDMX, febrero.<\/p>\r\n

Volver atr\u00e1s\u2026y redimensionar,<\/strong><\/em> Estudio Marte 221, Santa Mar\u00eda la Ribera, CDMX febrero.<\/p>\r\n

Celsius UNIVERSE, <\/strong><\/em>D\u00d3J\u00d3, Av. Coyoac\u00e1n 1426, Del Valle, CDMX, febrero.<\/p>\r\n

[\/vc_column_text][\/vc_column_inner]<\/p>\r\n

[vc_column_inner width=”1\/12″][vc_column_text]2016[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”11\/12″][vc_column_text]Tiempo l\u00edquido,<\/strong><\/em> Universidad de la Rep\u00fablica Uruguay, Montevideo, Uruguay, dic.<\/p>\r\n

Rel\u00e1mpagos o peces,<\/strong><\/em> fotograf\u00edas de Jorge \u00c1lvarez intervenidas por 20 artistas. Estudio de Jos\u00e9 Fors, Gdl. Jal., mayo.<\/p>\r\n

THE END,<\/strong><\/em> Estudio 71, Arte Contempor\u00e1neo, Sinagoga Hist\u00f3rica, Ciudad de M\u00e9xico, M\u00e9xico, febrero.<\/p>\r\n

Grupo Show 1,<\/strong><\/em> Galer\u00eda UMO, San Miguel de Allende, Guanajuato, M\u00e9xico, enero.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_type=”row” type=”full_width” use_row_as_full_screen_section_slide=”no” text_align=”left” css_animation=””][vc_column_inner width=”1\/12″][vc_column_text]2015[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”11\/12″][vc_column_text]Referencias Cruzadas,<\/strong><\/em> MUMART, Museo de Arte Municipal La Plata, Argentina, septiembre.<\/p>\r\n

SAL\u00d3N ACME, PUM,<\/strong><\/em> Brooklyn, Nueva York, agosto.<\/p>\r\n

Feria del Mill\u00f3n, <\/strong><\/em>Selecci\u00f3n de artistas de M\u00e9xico, pa\u00eds invitado, Bogot\u00e1, Colombia, octubre.<\/p>\r\n

THROW BACK THURSDAY,<\/strong><\/em> Galer\u00eda Emma Molina, GEM SUR, Monterrey, Nuevo Le\u00f3n, M\u00e9xico, junio.<\/p>\r\n

El collage como objeto encontrado,<\/strong><\/em> Espacio ARTERIAL, Ciudad de M\u00e9xico, M\u00e9xico, abril – mayo.<\/p>\r\n

1a. Bienal Nacional del Paisaje,<\/strong><\/em> Museo Carrillo Gil, Ciudad de M\u00e9xico, M\u00e9xico, junio – octubre.<\/p>\r\n

La aparente abolici\u00f3n de las apariencias,<\/em> <\/strong>Casa IMPRONTA, Guadalajara, Jalisco, M\u00e9xico, mayo.<\/p>\r\n

Mitolog\u00edas Contempor\u00e1neas<\/strong>,<\/em> Secretar\u00eda de Econom\u00eda, Ciudad de M\u00e9xico, M\u00e9xico, abril.<\/p>\r\n

Mitolog\u00edas Personales<\/strong>,<\/em> Espacio ARTERIAL, Curada por Eugenio Garc\u00eda Gayou, Ciudad de M\u00e9xico, M\u00e9xico, febrero – marzo.<\/p>\r\n

Soy Mujer, Soy Latinoamericana,<\/em><\/strong> exposici\u00f3n virtual de selecci\u00f3n de obra por Museo de las Mujeres, MUMA, febrero.<\/p>\r\n

Oposici\u00f3n al Concepto de la Raz\u00f3n,<\/strong><\/em>\u00a0 CASA PARA\u00cdSO ARTE, Guadalajara, Jalisco, M\u00e9xico, febrero.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_type=”row” type=”full_width” use_row_as_full_screen_section_slide=”no” text_align=”left” css_animation=””][vc_column_inner width=”1\/12″][vc_column_text]2014[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”11\/12″][vc_column_text]Maestros en el Patrimonio Art\u00edstico de Coahuila,<\/strong><\/em> Casa Redonda Museo Chihuahuense de Arte Contempor\u00e1neo, Chihuahua, Chihuahua, M\u00e9xico, noviembre.<\/p>\r\n

Horror en el Tr\u00f3pico,<\/em>\u00a0<\/strong>Museo Universitario del Chopo, Curadur\u00eda Daniel Garza Usabiaga, \u00a0Ciudad de M\u00e9xico, \u00a0M\u00e9xico, septiembre.<\/p>\r\n

El hombre ha muerto,<\/em><\/strong> Dibujo contempor\u00e1neo de Holanda y M\u00e9xico, Casa de la Cultura de Tabasco en la Ciudad de M\u00e9xico, curadur\u00eda Julio Pastor.<\/p>\r\n

Manos por M\u00e9xico,<\/strong><\/em> Pedro Friedeberg, Museo Franz Mayer, Ciudad de M\u00e9xico, M\u00e9xico, mayo – agosto.<\/p>\r\n

Messico Circa 2000,<\/em><\/strong> Colecci\u00f3n Jos\u00e9 Pinto Mazal por el Museo Arocena y Galer\u00eda Traeger & Pinto, Castillo Miramare, Trieste, Italia.<\/p>\r\n

Dame una G!, <\/strong><\/em>Aniversario del Caf\u00e9 La Gloria, CDMX ene.<\/p>\r\n

Arma Blanca,<\/em><\/strong> EDITIONS by\u00a0 Collectors Contemporary,\u00a0 Singapur, marzo.<\/p>\r\n

Colectiva Peque\u00f1o Formato,<\/em><\/strong> Stella Magni Gallery, Ciudad de M\u00e9xico, M\u00e9xico, marzo.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner]<\/p>\r\n

[vc_row_inner row_type=”row” type=”full_width” use_row_as_full_screen_section_slide=”no” text_align=”left” css_animation=””][vc_column_inner width=”1\/12″][vc_column_text]2013[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”11\/12″][vc_column_text]Sing Sweet Songs of Conviction,<\/strong><\/em> Juchit\u00e1n 3, curada por Karen Huber, Ciudad de M\u00e9xico, M\u00e9xico.<\/p>\r\n

Sans Complex,<\/strong><\/em> Alianza Francesa de Guadalajara, curada por Lourdes Armend\u00e1riz, Guadalajara, Jalisco, M\u00e9xico.<\/p>\r\n

50 Artistas\u00a01 Impulso\u00a02013,<\/em><\/strong> Andares ABP, Centro Cultural Plaza F\u00e1tima, Curada por Catalina Restrepo, San Pedro Garza Garc\u00eda, Nuevo Le\u00f3n, M\u00e9xico.<\/p>\r\n

Estampa de nuestro tiempo,<\/em><\/strong> Museo de Arte Abstracto Manuel Felgu\u00e9rez, curada por Marcelo Bazaretti\u2020, Zacatecas, Zacatecas, M\u00e9xico.<\/p>\r\n

Luz invisible,<\/em><\/strong> Celda Contempor\u00e1nea de la Universidad del Claustro de Sor Juana, Ciudad de M\u00e9xico, M\u00e9xico.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_type=”row” type=”full_width” use_row_as_full_screen_section_slide=”no” text_align=”left” css_animation=””][vc_column_inner width=”1\/12″][vc_column_text]2012[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”11\/12″][vc_column_text]Exhalaciones del subsuelo,<\/em><\/strong> Curada por Karen Hubert, Tehuantepec 170, colonia Roma, Ciudad de M\u00e9xico, M\u00e9xico.[\/vc_column_text][vc_column_text]Happy together,<\/strong><\/em> Distrito 14, Ciudad de M\u00e9xico, M\u00e9xico.[\/vc_column_text][vc_column_text]Cad\u00e1ver exquisito,<\/strong><\/em>Curada por Karen Huber, Choapan, colonia Condesa, Ciudad de M\u00e9xico, M\u00e9xico.[\/vc_column_text][vc_column_text]Yo, Primate,<\/strong><\/em> Centro Cultural BORDER, Ciudad de M\u00e9xico, M\u00e9xico.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_type=”row” type=”full_width” use_row_as_full_screen_section_slide=”no” text_align=”left” css_animation=””][vc_column_inner width=”1\/12″][vc_column_text]2011[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”11\/12″][vc_column_text]Feria Internacional de Arte Contempor\u00e1neo Odeon,<\/em><\/strong> Living Art Room, Bogot\u00e1, Colombia.[\/vc_column_text][vc_column_text]Fuerzas b\u00e1sicas,<\/em><\/strong> Dibujo en Jalisco, Museo de la Ciudad, Guadalajara, Jalisco, M\u00e9xico.[\/vc_column_text][vc_column_text]ArtRoomTalent,<\/strong><\/em> Exhibici\u00f3n en el Centro de Arquitectura y Dise\u00f1o, Ciudad de M\u00e9xico, M\u00e9xico.[\/vc_column_text][vc_column_text]Bailes Ex\u00f3ticos,<\/strong><\/em> Exhibici\u00f3n virtual en la revista ARTISHOCK, curada por Cristian Silva, Santiago de Chile, Chile.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_type=”row” type=”full_width” use_row_as_full_screen_section_slide=”no” text_align=”left” css_animation=””][vc_column_inner width=”1\/12″][vc_column_text]2010[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”11\/12″][vc_column_text]Devenir, saliendo de nuestro territorio,<\/strong><\/em> Claustro de Sor Juana, Ciudad de M\u00e9xico, M\u00e9xico.[\/vc_column_text][vc_column_text]Colectiva del Bicentenario,<\/em><\/strong> Ex Convento del Carmen, Guadalajara, Jalisco, M\u00e9xico.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_type=”row” type=”full_width” use_row_as_full_screen_section_slide=”no” text_align=”left” css_animation=””][vc_column_inner width=”1\/12″][vc_column_text]2008[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”11\/12″][vc_column_text]Firulais,<\/em><\/strong> Museo de la Ciudad, Guadalajara, Jalisco, M\u00e9xico.[\/vc_column_text][vc_column_text]Territorios,<\/em><\/strong> Museo de Hacienda, Ciudad de M\u00e9xico, M\u00e9xico.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_type=”row” type=”full_width” use_row_as_full_screen_section_slide=”no” text_align=”left” css_animation=””][vc_column_inner width=”1\/12″][vc_column_text]2007[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”11\/12″][vc_column_text]Creaci\u00f3n en movimiento,<\/strong><\/em> Casa de la Cultura de San Luis Potos\u00ed, San Luis Potos\u00ed, M\u00e9xico.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_type=”row” type=”full_width” use_row_as_full_screen_section_slide=”no” text_align=”left” css_animation=””][vc_column_inner width=”1\/12″][vc_column_text]2006[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”11\/12″][vc_column_text]Doce, el doce del doce,<\/strong><\/em> Galer\u00eda Haus der Kunst, Guadalajara, Jalisco, M\u00e9xico.[\/vc_column_text][vc_column_text]Creaci\u00f3n en movimiento,<\/strong><\/em> J\u00f3venes Creadores. Centro Nacional de las Artes CNA, CDMX.[\/vc_column_text][vc_column_text]Aldebaran (jugada 119),<\/strong><\/em> Galer\u00eda Pablo Guerrero, Guadalajara, Jalisco, M\u00e9xico.[\/vc_column_text][vc_column_text]Homenaje a los grandes maestros de la pintura,<\/strong><\/em> Traeger & Pinto,\u00a0Ciudad de M\u00e9xico, M\u00e9xico[\/vc_column_text][vc_column_text]Trauerfall,<\/strong><\/em> Galer\u00eda Haus der Kunst, Guadalajara, Jalisco, M\u00e9xico.[\/vc_column_text][vc_column_text]Creaci\u00f3n en movimiento,<\/em><\/strong> Casa de la Cultura de Morelia, Morelia, Michoac\u00e1n, M\u00e9xico.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_type=”row” type=”full_width” use_row_as_full_screen_section_slide=”no” text_align=”left” css_animation=””][vc_column_inner width=”1\/12″][vc_column_text]2003[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”11\/12″][vc_column_text]Patio de los Santos Difuntos,<\/em>\u00a0<\/strong>Patio Central del Ex Convento del Carmen, Guadalajara, Jalisco, M\u00e9xico.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_type=”row” type=”full_width” use_row_as_full_screen_section_slide=”no” text_align=”left” css_animation=””]<\/p>\r\n

[vc_row_inner row_type=”row” type=”full_width” use_row_as_full_screen_section_slide=”no” text_align=”left” css_animation=””][vc_column_inner width=”1\/12″][vc_column_text]1994[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”11\/12″][vc_column_text]Divergencias, 6 expositores,<\/strong><\/em> Galer\u00eda de Arte Moderno,\u00a0Guadalajara, Jalisco, M\u00e9xico[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_type=”row” type=”full_width” use_row_as_full_screen_section_slide=”no” text_align=”left” css_animation=””][vc_column_inner width=”1\/12″][vc_column_text]1993[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”11\/12″][vc_column_text]Bienal de Jos\u00e9 Clemente Orozco,<\/em><\/strong> Instituto Cultural Caba\u00f1as,\u00a0Guadalajara, Jalisco, M\u00e9xico \/\u00a0Pinacoteca de Nuevo Le\u00f3n,\u00a0Monterrey, Nuevo Le\u00f3n, M\u00e9xico, septiembre 1994[\/vc_column_text][vc_column_text]Expo-Arte Guadalajara,<\/strong><\/em> Expo-Guadalajara,\u00a0Guadalajara, Jalisco, M\u00e9xico[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_type=”row” type=”full_width” use_row_as_full_screen_section_slide=”no” text_align=”left” css_animation=””][vc_column_inner width=”1\/12″][vc_column_text]1992[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”11\/12″][vc_column_text]Primer Sal\u00f3n Nacional de Dibujo Jos\u00e9 Guadalupe Posada,<\/strong><\/em> Instituto Cultural Caba\u00f1as, Guadalajara, Jalisco, M\u00e9xico \/ Casa Museo de la Acuarela, Ciudad de M\u00e9xico, M\u00e9xico[\/vc_column_text][\/vc_column_inner][\/vc_row_inner]<\/span>[vc_empty_space height=”50px”][vc_column_text]<\/p>\r\n

awards and distinctions<\/span><\/h3>\r\n

[\/vc_column_text][vc_empty_space height=”15px”][vc_row_inner row_type=”row” type=”full_width” use_row_as_full_screen_section_slide=”no” text_align=”left” css_animation=””]<\/p>\r\n

[vc_column_inner width=”1\/12″][vc_column_text]2021[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”11\/12″][vc_column_text]<\/p>\r\n

Selected to participate in the Lumen Biennial Parameter 0.4,<\/strong> Established Artists Category, CDMX.<\/p>\r\n

Selected by the INNOVATIVE AND PARTICIPATORY SOCIAL RESCUE PROGRAM IN HOUSING UNITS program to create the DANCE SOROBORA mural<\/strong> in collaboration with Ver\u00f3nica Anaya as SOROBORA.<\/p>\r\n

[\/vc_column_text][\/vc_column_inner]<\/span><\/p>\r\n

[vc_empty_space height=”15px”][vc_row_inner row_type=”row” type=”full_width” use_row_as_full_screen_section_slide=”no” text_align=”left” css_animation=””]<\/p>\r\n

[vc_column_inner width=”1\/12″][vc_column_text]2020[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”11\/12″][vc_column_text]<\/p>\r\n

V BIENNIAL. OF PAINTING JOSE ATANASIO MONROY,<\/strong> Honorable Mention, Consolidated Artists Category, Autl\u00e1n, Jal. Oct.<\/p>\r\n

XII BIENAL NAL. DE PINTURA Y GRABADO ALFREDO ZALCE,<\/strong> Selecci\u00f3n en pintura, Morelia, Mich. Sept.[\/vc_column_text][\/vc_column_inner]<\/span><\/p>\r\n

[vc_column_inner width=”1\/12″][vc_column_text]2019[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”11\/12″][vc_column_text]<\/p>\r\n

Residencia art\u00edsica en Swatch Art Peace Hotel en la ciudad de Shanghai,<\/strong> a realizarse en nov 2020.<\/p>\r\n

Forma parte el Sistema Nacional de Creadores,<\/strong> noviembre.<\/p>\r\n

[\/vc_column_text][\/vc_column_inner]<\/p>\r\n

[vc_column_inner width=”1\/12″][vc_column_text]2018[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”11\/12″][vc_column_text]<\/p>\r\n

I Bienal Nacional de Pintura Mar\u00eda Izquierdo, Primer lugar,\u00a0<\/strong>Museo Caba\u00f1as, septiembre.<\/p>\r\n

Par\u00e1metro 0.3, artelumen<\/strong>, Menci\u00f3n honor\u00edfica en la categor\u00eda Creadores consolidados, Museo de la Ciudad, CDMX, septiembre.<\/p>\r\n

[\/vc_column_text][\/vc_column_inner]<\/p>\r\n

[vc_column_inner width=”1\/12″][vc_column_text]2017[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”11\/12″][vc_column_text]<\/span><\/p>\r\n

BODEGA ACME,<\/strong> por SALON ACME. Seleccionada a participar, CDMX, febrero.<\/p>\r\n

I BIENAL INTERNACIONAL DE PINTURA DE MEXICO A.C., <\/strong>Participaci\u00f3n, Museo de Arte Contempor\u00e1neo de San Luis Potos\u00ed, noviembre.<\/p>\r\n

[\/vc_column_text][\/vc_column_inner]<\/p>\r\n

[vc_column_inner width=”1\/12″][vc_column_text]2016[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”11\/12″][vc_column_text]<\/p>\r\n

2\u00aa BIENAL NAL. DEL PAISAJE<\/strong>, Seleccionada a participar en pintura, Museo de Arte de Sonora MUSA, Hermosillo, Sonora.<\/p>\r\n

I\u00aa BIENAL NAL. DEL PAISAJE LUIS NISHIZAWA<\/strong>, Toluca, Edo. de M\u00e9xico. Seleccionada a participar en pintura.<\/p>\r\n

Residencia art\u00edstica en Na Bolom<\/strong>San Cristobal, Chiapas, Septiembre 2016<\/p>\r\n

Par\u00e1metro 02<\/strong>, Invitada por Guillermo Santamarina a participar en la selecci\u00f3n invitados especiales para la muestra<\/p>\r\n

Museo de la Ciudad, CDMX, Agosto 2016<\/p>\r\n

I BIENAL UNAM ARTES VISUALES 2016, <\/strong>MUCA Campus, \u00a0Seleccionada a participar,CDMX, Mayo 2016<\/p>\r\n

[\/vc_column_text][\/vc_column_inner]<\/p>\r\n

[vc_column_inner width=”1\/12″][vc_column_text]2015[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”11\/12″][vc_column_text]XI BIENAL NACIONAL DE PINTURA JOAQUIN CLAUSELL, 3er lugar premio de adquisici\u00f3n,<\/strong> Campeche, Campeche.<\/p>\r\n

FERIA DEL MILL\u00d3N<\/strong>, Selecci\u00f3n de artistas de M\u00e9xico-pa\u00eds invitado, Bogot\u00e1, Colombia[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_type=”row” type=”full_width” use_row_as_full_screen_section_slide=”no” text_align=”left” css_animation=””][vc_column_inner width=”1\/12″][vc_column_text]2014[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”11\/12″][vc_column_text]SAL\u00d3N ACME n\u00fam. 2, Base Archipi\u00e9lago,<\/strong> Curada por Oliver Mart\u00ednez Kandt, CDMX.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_type=”row” type=”full_width” use_row_as_full_screen_section_slide=”no” text_align=”left” css_animation=””][vc_column_inner width=”1\/12″][\/vc_column_inner][vc_column_inner width=”11\/12″][vc_column_text]I BIENAL NACIONAL\u00a0DEL PAISAJE<\/strong>, Museo de Arte de Sonora MUSA, Hermosillo, Sonora, M\u00e9xico, seleccionada a participar en pintura[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_type=”row” type=”full_width” use_row_as_full_screen_section_slide=”no” text_align=”left” css_animation=””][vc_column_inner width=”1\/12″][vc_column_text]2013[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”11\/12″][vc_column_text]VI BIENAL NACIONAL DE YUCATAN<\/strong>, Seleccionada a participar en pintura[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_type=”row” type=”full_width” use_row_as_full_screen_section_slide=”no” text_align=”left” css_animation=””][vc_column_inner width=”1\/12″][vc_column_text]2012[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”11\/12″][vc_column_text]PROGRAMA DE RESIDENCIAS ARTISTICAS FONCA-CONACYT 2012<\/strong>, Residencia en el Centro Banff para trabajar en el proyecto trampland en pintura[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_type=”row” type=”full_width” use_row_as_full_screen_section_slide=”no” text_align=”left” css_animation=””][vc_column_inner width=”1\/12″][vc_column_text]2009[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”11\/12″][vc_column_text]III BIENAL NACIONAL DE ARTES VISUALES YUCAT\u00c1N 2009<\/strong>, Seleccionada a participar en pintura,\u00a0M\u00e9rida, Yucat\u00e1n, M\u00e9xico[\/vc_column_text][vc_column_text]PROGRAMA DE ESTIMULO A LA CREACION ART\u00cdSTICA DE JALISCO PARA CREADORES CON TRAYECTORIA<\/strong>, Beca para la realizaci\u00f3n del proyecto Breves<\/strong> en dibujo[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_type=”row” type=”full_width” use_row_as_full_screen_section_slide=”no” text_align=”left” css_animation=””][vc_column_inner width=”1\/12″][vc_column_text]2007[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”11\/12″][vc_column_text]VER<\/strong>MONT STUDIO CENTER<\/strong>, Menci\u00f3n Honor\u00edfica,\u00a0Vermont, U.S.A.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_type=”row” type=”full_width” use_row_as_full_screen_section_slide=”no” text_align=”left” css_animation=””][vc_column_inner width=”1\/12″][vc_column_text]2006[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”11\/12″][vc_column_text]FONDO NACIONAL PARA LA CULTURA Y LAS ARTES<\/strong>, Beca para la realizaci\u00f3n del proyecto Flotantes<\/strong> en pintura[\/vc_column_text][vc_column_text]II BIENAL NACIONAL DE ARTES VISUALES YUCAT\u00c1N 2006<\/strong>, Seleccionada a participar en pintura,\u00a0M\u00e9rida, Yucat\u00e1n, M\u00e9xico[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_type=”row” type=”full_width” use_row_as_full_screen_section_slide=”no” text_align=”left” css_animation=””][vc_column_inner width=”1\/12″][vc_column_text]2004[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”11\/12″][vc_column_text]FONDO NACIONAL PARA LA CULTURA Y LAS ARTES<\/strong>,\u00a0Beca para la realizaci\u00f3n del proyecto Extinci\u00f3n<\/strong> en pintura[\/vc_column_text][vc_column_text]PROGRAMA DE EST\u00cdMULO A LA CREACION ART\u00cdSTICA DE JALISCO<\/strong>, Beca para la realizaci\u00f3n del proyecto Entre l\u00edneas<\/strong> en pintura[\/vc_column_text][vc_column_text]XI BIENAL NACIONAL DIEGO RIVERA DE DIBUJO Y ESTAMPA 2004<\/strong>, Menci\u00f3n Honor\u00edfica en estampa,\u00a0Guanajuato, Guanajuato, M\u00e9xico[\/vc_column_text][vc_column_text]I BIENAL NACIONAL DE ARTES VISUALES YUCAT\u00c1N 2004<\/strong>, Seleccionada a participar en pintura,\u00a0M\u00e9rida, Yucat\u00e1n, M\u00e9xico[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_type=”row” type=”full_width” use_row_as_full_screen_section_slide=”no” text_align=”left” css_animation=””][vc_column_inner width=”1\/12″][vc_column_text]1995[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”11\/12″][vc_column_text]PRIMER PREMIO EN PINTURA EN EL SALON DE OCTUBRE<\/strong>, Ex Convento del Carmen,\u00a0Guadalajara, Jalisco, M\u00e9xico[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_type=”row” type=”full_width” use_row_as_full_screen_section_slide=”no” text_align=”left” css_animation=””][vc_column_inner width=”1\/12″][vc_column_text]1993[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”11\/12″][vc_column_text]BIENAL DE JOSE CLEMENTE OROZCO<\/strong>, Seleccionada para participar en dibujo,\u00a0Instituto Cultural Caba\u00f1as,\u00a0Guadalajara, Jalisco, M\u00e9xico[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_empty_space height=”50px”][vc_column_text]<\/p>\r\n

work at important collections<\/span><\/h3>\r\n

[\/vc_column_text][vc_empty_space height=”15px”][vc_row_inner row_type=”row” type=”full_width” use_row_as_full_screen_section_slide=”no” text_align=”left” css_animation=””][vc_column_inner][vc_column_text]<\/p>\r\n

MAM,<\/strong> Museum of Modern Art, CDMX.<\/p>\r\n

MUSA Museum,<\/strong> Museum of Arts of the University of Guadalajara, Guadalajara, Jalisco, Mexico.<\/p>\r\n

Museo Borda, <\/strong>Cuernavaca, Morelos<\/p>\r\n

Colecci\u00f3n Museo Caba\u00f1as, <\/strong>Guadalajara, Jalisco, M\u00e9xico.<\/p>\r\n

Colecci\u00f3n Lumen, <\/strong>CDMX.<\/p>\r\n

Museo de la Canciller\u00eda<\/strong>, CDMX.<\/p>\r\n

Museo Ra\u00fal Anguiano<\/strong>, Guadalajara, Jalisco, M\u00e9xico<\/p>\r\n

Colecci\u00f3n de la Secretar\u00eda de Hacienda y Cr\u00e9dito P\u00fablico<\/strong>, Ciudad de M\u00e9xico, M\u00e9xico<\/p>\r\n

Museo Diego Rivera<\/strong>, Guanajuato, Guanajuato, M\u00e9xico[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_empty_space height=”50px”][vc_column_text]<\/p>\r\n

courses and workshops<\/span><\/h3>\r\n

[\/vc_column_text][vc_empty_space height=”15px”][vc_row_inner row_type=”row” type=”full_width” use_row_as_full_screen_section_slide=”no” text_align=”left” css_animation=””][vc_column_inner][vc_column_text]Instituto de Cultura Superior, <\/b>Dibujo y Creatividad 2014-2016,\u00a0Ciudad de M\u00e9xico, M\u00e9xico<\/span><\/p>\r\n

Studio 105, <\/b>Taller de Pintura y Creatividad, 2012-2013, Ciudad de M\u00e9xico, M\u00e9xico<\/span><\/p>\r\n

Museo Universitario de Arte Contempor\u00e1neo<\/b>, Taller Mapa Sonoro, Abril 2011,\u00a0Ciudad de M\u00e9xico, M\u00e9xico<\/span><\/p>\r\n

Museo Nacional de la Acuarela<\/b>,\u00a0 Taller Dibujando con el Hemisferio Derecho del Cerebro, Oto\u00f1o 2010, Ciudad de M\u00e9xico, M\u00e9xico<\/span><\/p>\r\n

Museo de Arte Moderno, <\/b>Taller Dibujando con el Hemisferio Derecho del Cerebro, Oto\u00f1o 2009, Ciudad de M\u00e9xico, M\u00e9xico<\/span><\/p>\r\n

Taller de Dibujo Condesa,\u00a0 <\/b>Apreciaci\u00f3n al Arte Contempor\u00e1neo y Dibujo con figura humana 2009-2014, Ciudad de M\u00e9xico, M\u00e9xico<\/span><\/p>\r\n

Museo Nacional San Carlos,<\/b> Taller Dibujando Con el Hemisferio Derecho del Cerebro, Oto\u00f1o 2007- Oto\u00f1o 2011, Ciudad de M\u00e9xico, M\u00e9xico<\/span><\/p>\r\n

Instituto Cultural Caba\u00f1as<\/b>, Diplomado de Artes, Dibujo Anat\u00f3mico, 2003 -2005, Guadalajara, Jalisco, M\u00e9xico[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_empty_space height=”50px”][vc_column_text]<\/span><\/p>\r\n

\r\n
\r\n
\r\n
\r\n
\r\n
\r\n

some publications<\/span><\/h3>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n

[\/vc_column_text][vc_empty_space height=”15px”][vc_row_inner row_type=”row” type=”full_width” use_row_as_full_screen_section_slide=”no” text_align=”left” css_animation=””][vc_column_inner][vc_column_text]<\/p>\r\n

UNIVERSA REVELADA,<\/strong> Catalog of the exhibition at the MUSA, Museo de las Artes de la Universidad de Guadalajara, 2021<\/p>\r\n

Macmasters, Merry (2020) MECANISMO DEL COSMOS \u201cvisualiza a la mujer empoderada sin falsos hero\u00edsmos\u201d,<\/strong>\u00a0La Jornada, 2nd, September 12, 2020<\/p>\r\n

Ficci\u00f3n y tiempo, <\/strong>Estudios Curatoriales de la UNAM, Cat\u00e1logo de la muestra en el Centro Cultural Universitario Tlatelolco, CDMX, 2019.<\/p>\r\n

PIEL 33 ARTISTAS CONTEMPORANEOS, <\/strong>Colecci\u00f3n SER PAGO EN ESPECIE 2018, Dic. 2018.<\/p>\r\n

Arte lumen<\/strong>3\u00aa edici\u00f3n<\/strong>, Par\u00e1metro 03, Nov. 2018.<\/p>\r\n

El cord\u00f3n umbilical retiniano, ESPAC,\u00a0 <\/strong>Exhibici\u00f3n curada por Willy Kautz,pp.64, CDMX, Oct. 2018.<\/p>\r\n

Catalogo Artere-a\u00a0 <\/strong>2014-18.<\/p>\r\n

CATALOGO I BIENAL NACIONAL DE PINTURA LUIS NISHIZAWA, <\/strong>2017.<\/p>\r\n

Arte lumen<\/strong>2\u00aa edici\u00f3n<\/strong>, Par\u00e1metro 02, Nov. 2017.<\/p>\r\n

SOMOS CREADORES, 200 ARTISTAS EMERGENTES, <\/strong>CHRYSLER 2000, 2016, pp.108.<\/p>\r\n

PROCESOS EN EL ARTE,<\/strong>61 ARTISTAS CONTEMPORENEOS COLECCI\u00d3N SER PAGO EN ESPECIE 2017,<\/strong> pag. 44, diciembre 2017.<\/p>\r\n

MUMA, MUSEO MUJERES ARTE GOCE EN-CUENTRO,<\/strong> pp.19 2015.<\/p>\r\n

CATALOGO 1 BIENAL NACIONAL DE PAISAJE, <\/strong>Instituto Sonorense de Cultura, 2015, pp. 58.<\/p>\r\n

Velez, Gonz\u00e1lo (2013)\u00a0 CATALOGO DE LA CELDA CONTEMPORANEA, Luz invisible,<\/strong> Universidad del Claustro de Sor Juana, 2015, pp.100-103.<\/p>\r\n

CATALOGO DE LA EXPOSICION MESSICO CIRCA 2000,<\/strong> Sucderie del Castello di Miramare Trieste, 2014.<\/p>\r\n

Guevara Le\u00f3n, Ana Lorena (2015) 30 ARTISTAS EN LA PL\u00c1STICA JALISCIENSE CONTEMPOR\u00c1NEA,\u00a0 <\/strong>Secretar\u00eda de Cultura de Jalisco, pp.102-107.<\/p>\r\n

Gonz\u00e1lez, Carlos Hugo, 2014 \u201cBELLEZA Y DOLOR: DELICADA INTROSPECCION\u201d,<\/strong> ALTERNATIVAS REVISTA CULTURAL,<\/strong> N\u00fam. 58, p\u00e1g. 38 y 39.<\/p>\r\n

Ashida Cueto, M\u00f3nica (2014) Dolorosa belleza, <\/strong>Catalogo de Exposici\u00f3n. Publicaci\u00f3n a cargo de la Secretar\u00eda de Cultura de Jalisco, Dic. 2014.<\/p>\r\n

Reyes Retana, Fernanda (2012) La valiente b\u00fasqueda interior, \u00a0ARTEALIMITE, arte global,\u00a0 <\/strong>sept. 2012 pp. 110-104.<\/p>\r\n

Lammers ,Gerardo (2011) Ninguno de nosotros (Moctezuma\u00b4s revange) in REPLICANTE, Cultura cr\u00edtica y periodismo digital<\/strong>, Febrero 2011.<\/p>\r\n

Castillo, Erik (2011) Abstracci\u00f3n y consistencia discursiva, <\/strong>in FOLIOS, A\u00f1o IV, n\u00fam. 23\/ Verano 2011 pp. 66-77.<\/p>\r\n

Castillo, Erik (2011) sospechosavisi\u00f3n\/falsaceguera, <\/strong>in LA PALANCA,<\/strong> N\u00famero 18, Oct, 2011.<\/p>\r\n

Lammers, Gerardo(2008) \u201cSiete preguntas para Sof\u00eda Echeverri\u201d, vin\u00edsfera, <\/strong>mayo-junio 2008, pag. 64-65.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_empty_space height=”50px”][vc_column_text]<\/p>\r\n

Participation as Jury<\/h3>\r\n

[\/vc_column_text][vc_empty_space height=”15px”][vc_row_inner row_type=”row” type=”full_width” use_row_as_full_screen_section_slide=”no” text_align=”left” css_animation=””][vc_column_inner][vc_column_text]<\/p>\r\n

Chihuahua Vanguard Award in Arts and Sciences,<\/strong> 2022, Chihuahua<\/p>\r\n

Jos\u00e9 Atanasio Monroy National Painting Biennial,<\/strong> 2022, Jalisco<\/p>\r\n

Alfredo Zalce National Biennial of Painting and Engraving,<\/strong> 2022, Morelia, Mich<\/p>\r\n

Municipal Fund for Young Creators,<\/strong> 2022, M\u00e9rida, Yucat\u00e1n.<\/p>\r\n

Support for Production in Visual Arts 2021,<\/strong> Sonora<\/p>\r\n

Young Creators 2020,<\/strong> Sept-Oct CDMX<\/p>\r\n

XXI State Watercolor Show 2020,<\/strong> August Morelia, Mich.<\/p>\r\n

Lumen Painting Open 2019,<\/strong> second edition, CDMX<\/p>\r\n

[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column width=”1\/6″][\/vc_column][\/vc_row]<\/p>\r\n\r\n

 <\/p>\r\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” text_align=”left” css_animation=””][vc_column width=”1\/6″][\/vc_column][vc_column width=”2\/3″][vc_column_text] statement [\/vc_column_text][vc_empty_space height=”30″][vc_row_inner row_type=”row” type=”full_width” use_row_as_full_screen_section_slide=”no” text_align=”left” css_animation=””][vc_column_inner][vc_column_text] Resignifying the role of women and endangered landscapes are what motivate me. I recoup aesthetic and symbolic components of different cultures in response to cultural hegemony and use universal symbolic heritage to place women in a position of strength and equality, while attempting to do away with the assumption that there is no alternative to the present status quo and materialize the desire to quash discriminatory stereotypes. As an artist, my narrative creates a dialectic between the figurative\u2014represented in black and white\u2014and the abstract\u2014represented in color\u2014by juxtaposing both forms of expression. This dialectic, which alternatively conceals and reveals fragments of the composition, is a construction\/destruction of sorts designed to confer dynamism on the subject. The resulting enigmatic images evoke nostalgia for that which never existed and aim to seduce the spectator by revealing a hidden\/unknown possibility. [\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_empty_space height=”30px”] [vc_separator type=”normal” border_style=”solid” thickness=”1px” up=”0″ down=”0″][\/vc_column][vc_column width=”1\/6″][\/vc_column][\/vc_row][vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” text_align=”left” css_animation=””][vc_column width=”1\/6″][\/vc_column][vc_column width=”4\/6″][vc_empty_space height=”30px”][vc_column_text] Sof\u00eda Echeverri was born in Guadalajara, Jalisco, Mexico.\u00a0 She lives and works in Mexico City. correo@sofiaecheverri.com \u00a0www.sofiaecheverri.com [\/vc_column_text][vc_row_inner row_type=”row” type=”full_width” use_row_as_full_screen_section_slide=”no” text_align=”left” css_animation=””][vc_column_inner][vc_empty_space height=”30px”][vc_column_text] Studies [\/vc_column_text][vc_empty_space height=”15px”][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_type=”row” type=”full_width” use_row_as_full_screen_section_slide=”no” text_align=”left” css_animation=””] [vc_column_inner width=”1\/6″][vc_column_text]2016[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”5\/6″][vc_column_text]Taller de cer\u00e1mica libre, Ana G\u00f3mez en arta cer\u00e1mica, CDMX.[\/vc_column_text][\/vc_column_inner] [vc_column_inner width=”1\/6″][vc_column_text]2011[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”5\/6″][vc_column_text]Taller de Litograf\u00eda Leonard Codex, Brooklyn, Nueva York[\/vc_column_text][\/vc_column_inner] [vc_column_inner width=”1\/6″][vc_column_text]2000-2001[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”5\/6″][vc_column_text]Atellier d\u00b4art Chevreuse, Dibujo libre con\u00a0 figura humana,\u00a0Par\u00eds, Francia.[\/vc_column_text][vc_column_text]Mus\u00e9e du Louvre, T\u00e9cnicas antiguas y modernas del dibujo e investigaci\u00f3n y apreciaci\u00f3n de los grandes maestros…<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-23685","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.sofiaecheverri.com\/en\/wp-json\/wp\/v2\/pages\/23685","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.sofiaecheverri.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.sofiaecheverri.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.sofiaecheverri.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.sofiaecheverri.com\/en\/wp-json\/wp\/v2\/comments?post=23685"}],"version-history":[{"count":6,"href":"https:\/\/www.sofiaecheverri.com\/en\/wp-json\/wp\/v2\/pages\/23685\/revisions"}],"predecessor-version":[{"id":24972,"href":"https:\/\/www.sofiaecheverri.com\/en\/wp-json\/wp\/v2\/pages\/23685\/revisions\/24972"}],"wp:attachment":[{"href":"https:\/\/www.sofiaecheverri.com\/en\/wp-json\/wp\/v2\/media?parent=23685"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}